The structure of the Arabic language is well-suited to harmonious
word-patterns, with elaborate rhymes and rhythms. The earliest known literature emerged in
northern Arabia around 500 AD and took the form of poetry which was recited aloud,
memorised and handed down from one generation to another. It began to be written down
towards the end of the seventh century. The most celebrated poems of the pre-Islamic
period were known as the mu'allaqat
("the suspended"), reputedly because they were considered sufficiently
outstanding to be hung on the walls of the ka'ba in Makkah.
The typical poem of this period is the qasidah (ode),
which normally consists of 70-80 pairs of half-lines. Traditionally, they describe the
nomadic life, opening with a lament at an abandoned camp for a lost love. The second part
praises the poet's horse or camel and describes a journey, with the hardships it entails.
The third section contains the main theme of the poem, often extolling the poet's tribe
and villifying its enemies.
The poets of Arabia
More about Arabic literature:
Classical Arabic prose
The birth of Arabic prose as a literary form is attributed to the
Persian secretarial class who served under the Abbasid caliphs (750-1256) in Baghdad. Ibn
al-Muqaffa' (died 757) was a convert to Islam who translated classical Persian works
into Arabic. He became famous as the author of Kalila and Dimna, a series of
didactic fables in which two jackals offer moral and practical advice.
al-JAHIZ (776-869) developed Arabic prose into a
literary vehicle of precision and elegance. Born in Basrah, he was noted for his wit and
became one of Baghdad's leading intellectuals during the early Abbasid period. The most
famous of his 200 works were:
Kitab al-Hayawan ("The Book of Animals"),
an anthology of animal anecdotes.
Kitab al-Bayan wa al-Tabyin ("The Book of
Elucidation and Exposition"), ostensibly about rhetoric but also covering history and
Kitab al-Bukhala ("The Book of
Misers"), amusing but perceptive observations on psychology.
ABU AL-FARAJ al-Isfahani (c 897-967),
from Aleppo, wrote Kitab al-Aghani ("The Book of Songs"), in 24 volumes.
A model of simplicity and clarity in its writing, the book gives a comprehensive picture
of Arab culture and society, including songs and poems which were popular in Baghdad under
the Caliph Harun al-Rashid. A vizir (government minister) of the time is said to
have taken 30 camel-loads of books whenever he travelled - until he received a copy of the
Book of Songs. He then felt able to dispense with all the other books.
al-HAMADHANI (died 1008) is credited with
inventing the genre known as maqamat ("assemblies") - dramatic anecdotes
narrated by a witty but unscrupulous rogue which poke fun at all levels of society.
Elaborately written in rhyming prose, they exploit the unique capabilities of the Arabic
language to the full. Out of 400 original maqamat, 52 survive.
The trend towards linguistic virtuosity led, ultimately,
to a triumph of form over content. al-HARIRI (c 1054-1122) took the maqamah
to new heights (or extremes) in order to demonstrate his prowess with word-play and his
seemingly inexhaustible vocabulary. In one work, he used only those letters of the alphabet which have
no dots or do not join to the following letter in a word. Even so, for more than seven
centuries, al-Hariri's maqamat were regarded as the greatest literary treasure of
Arabic, after the Qur'an. According to some readers, wholesome moral values and subtle
criticisms of the existing social order underlie al-Hariri's decorative language.
Examples of al-Hariri's